Hurstville City Museum and
Gallery, 14 Macmahon St, Hurstville, Sydney
(Museum Phone 93306444)
This is a large retrospective
showing of my major works spanning the past decade, with several works never
exhibited previously. The show features my paintings prominently in
the main gallery of the regional museum and is
complemented by ceramic art sculpture from local artists. All works are for
sale at very reasonable prices. A full-colour 40-page catalogue is
available.
The opening was a huge success with many
sales. Thanks to curators Serena Manwaring and Jessica Allen and museum staff for helping to make this show a success. Thanks also to
local mayor Philip Sansom for a great speech.
Photos from the Opening night of
Dangerous Dreams (Sat 6th Feb, 2010). People, music, food, chatter and art.
A nice selection of
Sideshow paintings were on display and for sale in the Gallery bar at the Arthouse Hotel
in Pitt Street Sydney (next to the Hilton
hotel). This was a truly unique venue and I was invited back again next year
for a show.
The mermaid and her double. Photo
from Arthouse Hotel 2009.
"Worlds of Wonder"
at Hurstville Museum and Gallery March 2009
The exhibition went
very well. Walls filled with pictures of glamorous women trapped within the
sideshow or of men seeking a higher consciousness or falling to their doom.
Thanks to all who attended on the
opening day and throughout the 4 weeks. The different carnival inspired
works came together nicely. Thanks to Serena Manwaring, curator of the
museum, for her support .
Thoughts on the
Exhibition by Artist Nick Stathopoulos
Hello and welcome to the Worlds of Wonder, an
exhibition of surreal art by Beric Henderson.
I’m Nick Stathopoulos, a fellow artist, and I’m delighted and honoured to be
here opening the show.
What drew me to Beric’s work was his uncanny ability to take a mundane
subject, and put a spin on it.
One of my favourites was a painting of a typical suburban family, their
backs to us, edge lit by the phosphor glow of a television set in the corner
of the room.
And the clincher for me was what they were all riveted to: Gort the robot,
from the original The Day The Earth Stood Still.
Beric is fascinated with characters from classic science fiction and film
noir, and it’s a love that we both share. But his work always went beyond
being a pastiche of Hollywood tropes and clichés.
The French have a word for it; inquietude -- a disquiet. Something
unsettling, disturbing, troubling. All very Beric.
This new work is set in a carnival. But this is no ordinary fun fair.
There is more than a hint of the whimsical Circus of Dr Lao, a mystery
wrapped up in an enigma, a circus that reveals something of your inner soul.
There are touches of Mr. Dark’s Carnival, where your deepest secret wishes
are granted, but exacted at a terrible price. Indeed, something wicked this
way comes.
Beric’s carnival is a stark empty place…reserved exclusively for you, and
your psyche. Colour is leached out giving the whole show the savour of a
dream, a half-remembered memory.
Tents open to reveal alluring mysteries, strange haunting scenes: exotic
women glance over their shoulders, or observe their tiny captives under
glass.
Distant midgets entreat us closer and for what purpose? Merry-go-rounds
turn, but you just know, they’re never ever going to stop.
Spot-lit figures tumble un-tethered down the impossible heights of
tents…to…where?
And that’s something that Beric does best: his art coerces us to step
falteringly onto the high-wire with images that at first seem familiar, then
he snips the high-wire from beneath us.
How you choose to land is entirely up to you.
Ladies and gentlemen, I give you Beric Henderson’s Worlds of Wonder.
Enjoy the show.
Photos from 2009 March
Opening at Hurstville City Museum, Sydney Australia
Artist statement
about "Sideshow" project
I have always been fascinated by
carnivals. This current series of surrealistic works
explores the darker side of carnival life. The spiritual and otherworldly
essence of carnival nocturnes has appeared in the mass media sporadically
over past decades, and my initial exposure to this microcosm was courtesy of
Ray Bradbury’s novel Something Wicked This Way Comes, mental images of which
still haunt me after many years. Coupled with a fascination of all things
Victorian, the old world Sideshow has now been distilled into a series of
drawings and paintings that use an ever-changing carnival backdrop to depict
images of isolation, uncertainty, experimentation and entrapment. These are
recurring themes in my work, for reasons perhaps most humans can relate to.
The world depicted in my drawings could be seen as a window into my own
psyche, in that they derive from spontaneous mental images. The Victorian
era feel to the work and the sense of simultaneous entrapment and release
are integral elements in these compositions, where all parts are carefully
balanced. I see the carnival as a metaphor for that tainted paradise most
humans crave, a universe that tempts us by stimulating all our senses and
yet one which is ready to swallow us whole. The sequence of temptation,
experience, bewilderment and restraint can either provoke our release or
incur our demise. In this world, the surface glitter clearly masks darker
happenings behind closed doors. Perhaps not so different to urban existence
after all.
Solo Exhibition, "Searching for Enlightenment" at
Wallspace Gallery,
25-27 Brisbane St., Surry Hills in Sydney. This was Beric's third solo
exhibition and included a range of new surrealistic works.
September 9-30. Official opening
9th September at 3pm.
Group Exhibition, "Originals" at
Wallspace Gallery, Surry Hills, Sydney Australia. Featuring the work of ten artists: Michael Burfield, Nikolaus Dorrer, Beric Henderson, Zig Jaworowski, Imogen Joy,
Keith lane, Luis Martinez, Catherine O'Donnell, Leslie Rice and Li Wenmin.
May 26-June 17.
Opening night May 25 from 6pm.
Photos from 2006
September Opening at Wallspace Gallery
Beric's second solo exhibition,
"Pulp Surrealism and other Visions", was held at the St. George Regional
Museum in Hurstville, Sydney from 1 Oct to 12 Nov 2005. The event was
covered by the local press, with a brief report in a national art magazine.